VEER Magazine: Virginia Stage Closes Season with Every Brilliant Thing

VEER Magazine: Virginia Stage Closes Season with Every Brilliant Thing

By Jerome Langston

β€œEvery Brilliant Thing is a play that I have seen more often than any other play that I’ve directed,” says Tom Quaintance, the Producing Artistic Director of Virginia Stage Company, during a recent phone chat earlier this week. It’s quite the striking statement from this long-time AD and theatre director, who has obviously seen a whole lot of shows during his decades long career. Tom led VSC’s 2022 production of Every Brilliant Thing, which closed out season 43. Now it’s bringing season 46 to a fitting close, with a short run production on stage at the Wells, that also celebrates its successful touring production β€” a show that has impacted thousands of people with its over 70 performances.

THE VIRGINIAN-PILOT: A review of raucous β€˜Little Shop of Horrors,’ out for blood

THE VIRGINIAN-PILOT: A review of raucous β€˜Little Shop of Horrors,’ out for blood

Contrary to some who complain that theater has gotten too political (theater, of course, has always been political), Virginia Stage Companyβ€˜s β€œLittle Shop of Horrors” is merely, in the words of director Tom Quaintance, an innocent β€œhorror comedy rock musical” designed to lull audiences into a plant-like stupor …

Diving Deeper | Doo-Wop, Drama, and a Dash of Horror: The Musical DNA of Little Shop of Horrors

Diving Deeper | Doo-Wop, Drama, and a Dash of Horror: The Musical DNA of Little Shop of Horrors

In Little Shop of Horrors, the musical stylings reflect the era and themes of the story, blending various genres. Set in a nostalgic 1960s atmosphere, the musical incorporates elements of doo-wop, rhythm and blues, and Broadway show tunes.

Diving Deeper | LITTLE SHOP OF HORRORS: Science Fiction, Satire, and the Cult of the Killer Plant

Diving Deeper | LITTLE SHOP OF HORRORS: Science Fiction, Satire, and the Cult of the Killer Plant

Little  Shop  of  Horrors  began  as  a  1960  B-movie  directed  by  Roger  Corman,  written  by  Charles  B.  Griffith.  The  low-budget  film  became  a  cult  classic  due  to  its  quirky  characters,  over-the-top performances, and campy charm, setting the stage for future adaptations.