The Virginian-Pilot reviews THE HOUND OF THE BASKERVILLES

Fast-paced "Hound of the Baskervilles" farces in Norfolk is great fun

By Mal Vincent
Correspondent
Mar 1, 2018
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Something is afoot โ€“ and itโ€™s not elementary.

There are those who might be pleased to see the insufferably smart Sherlock Holmes get his comeuppance. They should revel in โ€œThe Hound of the Baskervilles,โ€ the knockabout spoof at the Wells Theatre through March 11.

It could have been more fun were it not intent on sticking to the basic plot, but itโ€™s certainly irreverent and it gets its laughs, whether itโ€™s poking fun at the self-serious detective or the self-serious world of small-time theater.

The show is the latest display of performers playing multiple roles in a quick-change rush. Here, three actors perform about 15 roles, including Holmes, a befuddled Dr. Watson (pondering how many kisses he should give the detective) and members of a cursed family . The wealthy Baskervilles are hounded by an offstage fiend

, a glowing dog with fangs that lives out on the moors. As in Sir Arthur Conan Doyleโ€™s 1902 novel, Holmes and Watson must get to the bottom of the supposed curse .

This โ€œBaskervillesโ€ spoof was adapted by Britishers Steven Canny and John Nicholson. Here is a sobering reminder that the same country that gave us William Shakespeare also gave us Benny Hill. An antic five-actor version โ€“ โ€œBaskerville: A Sherlock Holmes Mysteryโ€ โ€“ plays tonight at The American Theatre in Hampton.

Here, everything depends on split-second timing for the performers in what they describe as โ€œstage magic.โ€ The novelty of such quick-change artistry has waned, following local productions of shows with similar set-ups: โ€œAround the World in 80 Days,โ€ โ€œTravels With My Auntโ€ and the champion of them all, โ€œThe 39 Steps,โ€ which had a run for two years on Broadway and got several Tony nominations.

However, the director here, Mark Shanahan, knows how to pull this off. He was an understudy for โ€œStepsโ€ on Broadway and has directed that play and this โ€œBaskervillesโ€ spoof at regional theaters.

The three frantic actors, who will probably lose some weight before the show closes on March 11, get to perform some partial costume changes, as compared to full-attire changes. (That means a hat or a prop sometimes serves.)

The most amazing feats come when they appear to bounce along in a nonexistent cab and when they โ€œrun in place.โ€ There is also a steam-room scene in which Holmes, mercifully, keeps on his business suit beneath a towel.

Perhaps the hardest-working cast member is Patrick Halley, who is a rather youthful Holmes and also plays two married couples. Heโ€™s particularly fetching as a South American senorita who participates in a tango-like dance. Portions of the audience howled in laughter.

As Dr. Watson, Bruce Warren is stuck with a particularly inept, befuddled version of the sidekick. Here, he is also saddled with many of the plentiful off-color jokes about amorous intentions toward the detective. Repetition is not always a friend to comedy.

Steve Pacek displays the best legs in the cast and has great spirit about it all.

Pacek also plays a dead Baskerville. (He dies of a heart attack upon seeing the hound, regrettably offstage. We would like to have seen the pooch, too.) As a live Baskerville, he is the family member who must bear the curse.

There is more plot than you would expect, which is not necessarily to the good. Suspense is the last thing you expect to get from a farce such as this. Or logic.

Jeni Schaeferโ€™s costumes are shabby on purpose, because second-rate music halls are, perhaps, more the target than are the Holmes books. John Ambrosoneโ€™s lighting is effective, and Sean Hagertyโ€™s sound design is even better. Thatโ€™s an awesomely howling hound.

If this foolishness is too foolish for you, stay tuned. The Virginia Stage Companyโ€™s next offering is the intense, Pulitzer Prize-winning drama โ€œDisgraced,โ€ about a dinner party where people with very different backgrounds get tense when religion, the economy and Islamophobia are discussed.

In the meantime, this is great fun. If youโ€™ve never seen one of these โ€œmulti-roleโ€ shows, you might even find it amazing. If you are in the mood for zany foolishness, go ahead, buy a ticket.