"Crowns" returns to the Wells, a gospel musical celebrating everyday queens
Rashod Ollison
The Virginian-Pilot
May 6, 2018
The women bloomed. Like Easter flowers, they seemed to beautify East Section Line, the dignified working-class block in Malvern, Ark., where Big Mama, my grandmother, lived for years. Come Sunday morning, she and other women emerged from their modest homes and gingerly descended steps in pastel- and jewel-toned dresses and skirt suits. Big Mama and several of her neighbors worked for decades as domestics, catching rides to work during the week in drab uniforms. Sunday morning was the only time they became the divas they were, perfumed and glamorized to praise the Lord in stuffy churches.
They took their time walking to waiting sedans in heels they wore only on Sundays. And their outfits were never without a flamboyant hat bedecked with glittery flowers, multicolored sequins or fluffy plumes that a random breeze ruffled.
These hats were their crowns.
Regina Taylorβs gospel musical, appropriately titled βCrowns,β returns to the Wells Theatre in Norfolk, where performances sold out when it played there in 2006. The production explores, among other things, the culture of black church women and their hats, the metaphorical crowning of women who are like safe harbors in the community. The story centers on Yolanda, a troubled 17-year-old Northerner, who travels south and connects to an old culture of sisterhood. The hats worn by the characters serve as allegories about the joys and pains of life.
βThe play allows us to get a glimpse into the lives of women who persevere and survive,β says Donna Speller Turner, who donated more than 50 hats from her private collection to the Virginia Stage Company. βOn Sunday, no matter what they had just had as a challenge during the week, they are as fabulous as they can be. That resonates with me around the issue of overcoming challenges.β
Turner, who retired from the federal government before opening a management consulting firm in Virginia Beach, initially thought the donated hats would be used for fundraising efforts. Instead, they were ideal for VSCβs current production of βCrowns.β
βThe hats represented a time of being exceedingly stylish. I grew up with that,β says Speller Turner. βWhen I first saw all the hats I had given away, it was my turn to burst into tears again because it brought back so many memories when I saw my aunts wear those hats and being fabulous.β
Director Raelle Myrick-Hodges was drawn to the musical, the first sheβs directed, because of its exploration of an overlooked culture to which she immediately connected.
βWhatβs extraordinary about βCrownsβ for me is that itβs a celebration of basic American history that hasnβt been celebrated on a large scale that can be,β Myrick-Hodges says. βAlso, itβs the legacy. It is about black women storytellers, the oral tradition that is a part of our community. Thirdly, whether one believes in Christianity, Islam, agnostic or atheist, there is something about this space of believing in something larger than oneself. Believing that it is important to have faith to get through pain is a truth versus a speculation. Itβs a piece for everyone.β
βCrownsβ dramatizes the ritual of women otherwise invisible outside their communities becoming metaphorical queens on Sunday, an affirmation of their self-esteem.
βIt was not only about building their own self-esteem, but also allowing the young ones coming up behind them to learn by observing what it means to be a lady, what it means to be regal, what it means to be queenly,β Speller Turner says. βIf all you see in them is working-class maids and housekeepers who serve others, you can get the mistaken impression thatβs all there is to them. There was always so much more.β
But itβs not necessarily a ritual women born after my grandmotherβs generation β baby boomers and younger β feel a need to keep alive.
βItβs something thatβs being lost. In my church, which has about 600 regular members, there are probably 15 to 25 women who regularly wear hats to church. Of those women, Iβm probably the youngest by far who regularly wears a hat, and Iβm over 65,β Speller Turner says. βWeβve gone to a much more casual approach to everything. We have a mindset that says, βIf I canβt wear my $200 sneakers, which is my idea of being dressed up, then itβs not something I want to go to.β Part of me is OK with that, because times change. Iβm just glad young people are in church.β
Director Myrick-Hodges says wearing crowns has taken on a different meaning in the years since my grandmother and her friends headed to church in resplendent hats. The new βcrownsβ have become sculpted hairdos and globular Afros, both throwbacks from different eras in black glamour.
βOur hair literally grows up to the sky naturally,β Myrick-Hodges says. βHats are just a metaphor for what is a part of us.β
As βCrownsβ explores, the lives of such women who wore outrageous hats on Sunday were often much richer than others may have realized. They made their way to places of worship, bedazzled and crowned, queens for a day.